数码暗房之应用通道系列——6《利用CMYK黑色通道加锐》 (1)
www.ad119.cn/bbs/attachments/photoshop/20090323/20093231139407877801.jpgwww.ad119.cn/bbs/attachments/photoshop/20090323/200932311394012577802.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394017177803.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/20093231139407877801.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394012577802.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394017177803.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394021877804.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394026577805.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394031277806.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394035977807.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394040677808.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/200932311394045377809.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/2009323113940500778010.jpg
www.ad119.cn/bbs/attachments/photoshop/20090323/2009323113940546778011.jpg
最后还是出幅图片，因亮部过曝而形成PS高手们最害怕的“死白”区域，要想恢复原图中的高光区细节难度极大（一般这样的情况下都是重新另换天空），很多PS“高手”们都给这幅图无情地判了死刑。
但我只想通过此图说明一条：如果真正学懂弄通了通道理论，你可以从看起来不可能的“死白”区域中夺回丢失的细节。
www.ad119.cn/bbs/attachments/photoshop/20090323/2009323113940593778012.jpg
通过连续多次转换通道，最后恢复的图像效果。
页:
[1]